At the end of a residency in the Atacama Desert, the artists present a group exhibition in La Yareta Cultural Centre, San Pedro de Atacama, Chile.

My contribution included the works deposit and artefacts

Group exhibition hosted by Techne Independent Artist in Collective Communities, Glasgow.

I displayed gold wash, three large acrylic paintings on paper.

A group exhibition with the First Floor Collective, Glasgow at Cass Art.

The wallflower paintings are displayed.

“I really loved the energy, the forms, and the muted colors—your use of a dark background creates such a strong atmosphere.” MdG

Solo exhibition of acrylic paintings at Nicolls, Glasgow, Scotland.

wallflowers was inspired by the husks of dead sunflowers. The works explore personal themes of feminism, resilience and the passage of time.

"What a remarkable interpretation of your thoughts..." CB

"Stunning Thérèse. I love the colours and the textures and the delicate feel, would love to touch them" MS

"Fantastic work! Love the range of processes going on." C

The film of the Saharan desert installation Salvage, is awarded ‘runner up’ in the multimedia category for a group exhibition held by John Muir Trust, Pitlochry, Scotland

A photograph of a sunflower, taken while on residency in Finland, shows in an exhibition celebrating women photographers at The Glasgow Gallery of Photograph, Glasgow, Scotland.

A towering, temporary sculpture, made from discarded kite string and confetti, is temporarily installed in the grounds around Boathouse, Ahmedabad, India

“Wow” P

“I love this piece of work” HdP

A temporary installation, salvage is a ‘garden’ of blue flowers made from detritus removed from the Saharan desert. It’s located outside the grounds of Café Tissardmine, Morocco

“Very beautiful” Y

“I thought the desert had a blue flower I’d never seen before” R

A dynamic sculpture made from rubbish removed from the landscape surrounding Café Tissardmine, Morocco.

This site-specific, temporary intervention displays in Arteles Creative Center, Haukijärvi, Finland

A fine, almost invisible, thread is wound around a shared space without permission or discussion, just to see what happens.

A solo exhibition of acrylic landscape paintings exhibits at Rogart Street Exhibition Space, Glasgow, Scotland

The surface is reflective, making it impossible for the viewer to engage with the painting from a single perspective.

“These are so beautiful. I love how they change in the light and at different directions” D

“Love all the details up close and then a totally different impression from further away” DW

“ Subtle and only when you move amongst does the light change” SN

During the Covid-19 pandemic, this maquette is included in a virtual exhibition with World of Co, Sophia, Bulgaria

An artifical landscape, apparently fragile and fluffy, is underpinned by a restrictive structure so the viewers are forced along predestined path.

Sculptures made from plaster and mass produced dolls are displayed as part of an virtual group exhibition with World of Co, Sophia, Bulgaria

“They made me think of how our body changes - we all start with a perfect doll shape and we end up with blobs and bits…” M

“The use of plaster and the transformation of this dolls made me think about the transformation nowadays women are doing through the plastic surgery. And of course, not all of these transformations are successful.” V

“I’m mesmerised. My mind is jumping about trying to decide what to think. They are like melted statues. Tortured, grotesque, very commanding.” M

“Your sculptures are like contemporary reference to the ancient Greek sculptures and how the body is deconstructed, our identity is deconstructed. Nice interpretation.” D

Solo exhibition of landscape paintings are shown at Woodlands Community Centre, Glasgow, Scotland.

The show’s closed immediately by the first Covid-19 lockdown.

A solo show of acrylic paintings exhibits at Rogart Street Exhibition Space, Glasgow, Scotland

Sixteen featureless faces, huddled or set apart, engage the viewer in an endless desire to fill in the detail.

“There is so much you can read into each “portrait”. Endlessly open to interpretation” MR

“They’re looking at us, but they’re not. They make me uncomfortable but they don’t. They seem familiar but aren’t. They’re endearing and a bit scary. They’re very accomplished paintings.” MiR

“I wonder why I keep looking for eyes and features.” AH

“Disturbing and also intriguing at the same time…so thought provoking on so many levels” MK

Charcoal portrait shows in a group exhibition at Forth Valley College, Stirling, Scotland

Video Installation, co-created with Simone Landwehr-Traxler, presents at a pop-up gallery, Glasgow, Scotland

Two drawings are selected for a group exhibition at Project Cafe Glasgow, Scotland

Watercolour painting of Kelvin Stevenson Memorial Church picked for a group show at Glasgow Royal Concert Hall, Glasgow, Scotland

Five acrylic paintings are included in a group exhibition at Cortijo Romero, Orgiva, Spain